chamber choir

Director  Patrick Craig

Two visceral texts. Four iconic settings.

As we approach Holy Week, Allegri’s familiar setting
of Psalm 51, with its thrilling top Cs, is set against
James MacMillan’s plangent and heartfelt response
composed in 2009.
Palestrina’s controlled eight-part exploration of
Mary’s suffering at the Cross contrasts with the
florid ten-part baroque vocal writing of Scarlatti.


Nicola Corbishley                 Soprano
Nicholas Todd                      Tenor
Jack Gonzalez-Harding      Organ

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